Review – Gaslight (1944)
Ingrid Bergman delivers a career performance in the 1944 George Cukor classic thriller about manipulation and deceit
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Ingrid Bergman delivers a career performance in the 1944 George Cukor classic thriller about manipulation and deceit
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For years, I have been clear I had never seen a good Goldie Hawn film. Before you say it, no Private Benjamin isn’t a good film. Nor is Overboard, nor is Death Becomes Her. If I’m honest, that view spread a couple of times to ‘Goldie Hawn has never made a good film’. Give this I was recently surprised to find
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